Let's be honest nobody remembers Storks, it's an average film at best that really squandered it's premise, but I've grown to like Junior's design. So I took the beginning of the film and twisted it to a much more satisfying take instead where Junior actually "liberated" Tulip and her flightless friends... (Hint: Liberate has a new meaning~)
Junior from Storks belongs to Warner Bros./WAG
Junior from Storks belongs to Warner Bros./WAG
Category Artwork (Digital) / Vore
Species Avian (Other)
Gender Male
Size 1280 x 1280px
Listed in Folders
Awwh he looks lovely with a great big belly! Beautiful work on this, I absolutely love how your art looks and how you shade everything, it looks extra soft in a way x)
Male vore? From you? Can’t say I expected but, just so you know, I love what you did!
It’s ok! I mean honestly vore art can make up for it! Honestly I wish there was more!
"Let's be honest nobody remembers Storks-"
Actually, it's attained a sort of relative infamy on account of Steve Mnuchin's name appearing prominently in the credits. It climaxed with that montage of all the babies being delivered, many to single parents, multi-racial or same sex couples -- a clear (and, IMO, masterfully done) endorsement of diversity and inclusion, at the exact same time its executive producer was campaigning for someone whose campaign slogan couldn't have been any further removed from it.
"-it's an average film at best that really squandered it's premise-"
But this is an accurate description. Personally, I think there must have been an original script where Junior and Tulip ending up keeping D.D. But they either couldn't figure out how to have that and her reuniting with her family, or (and, sadly, far more likely) they panicked about the inter-species implications and threw in the Gardners at the eleventh hour. And while I do think they handled a pro-inclusion, pro-diversity message well, it doesn't hold a candle to to Zootopia, which came out the same year.
(long awkward pause)
Funny thing is I could actually fathom something similar to this occurring in the script. It was toony enough that an act of vore wouldn't have gone out of place, and the whole plot did evolve out of Junior trying to keep Tulip out of sight and still at the company.
As for Junior swallowing the flightless birds too... Well, you know what they say: You are what you eat. *troll-faces and dodges a tomato*
Actually, it's attained a sort of relative infamy on account of Steve Mnuchin's name appearing prominently in the credits. It climaxed with that montage of all the babies being delivered, many to single parents, multi-racial or same sex couples -- a clear (and, IMO, masterfully done) endorsement of diversity and inclusion, at the exact same time its executive producer was campaigning for someone whose campaign slogan couldn't have been any further removed from it.
"-it's an average film at best that really squandered it's premise-"
But this is an accurate description. Personally, I think there must have been an original script where Junior and Tulip ending up keeping D.D. But they either couldn't figure out how to have that and her reuniting with her family, or (and, sadly, far more likely) they panicked about the inter-species implications and threw in the Gardners at the eleventh hour. And while I do think they handled a pro-inclusion, pro-diversity message well, it doesn't hold a candle to to Zootopia, which came out the same year.
(long awkward pause)
Funny thing is I could actually fathom something similar to this occurring in the script. It was toony enough that an act of vore wouldn't have gone out of place, and the whole plot did evolve out of Junior trying to keep Tulip out of sight and still at the company.
As for Junior swallowing the flightless birds too... Well, you know what they say: You are what you eat. *troll-faces and dodges a tomato*
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