across the hollow blaze, forget-me-nots
i got bored of working with the .FLP so i'm just posting this.
Win a Minion! (DISCLAIMER!!! Psych! There are no minions. They are not real.)
i got bored of working with the .FLP so i'm just posting this.
Win a Minion! (DISCLAIMER!!! Psych! There are no minions. They are not real.)
Category Music / Other Music
Species Unspecified / Any
Gender Other / Not Specified
Size 120 x 120px
Mmm this was quite good too.
I've noticed you like noisy tracks, something that gives the feeling that every channel is saturated with some sort of sound.
In this track, there's a loud droning noise that starts at :03, disappears at :13 to give way to something else that takes the soundstage, and then comes back at 0:34
In the part between :13 and :34 we have a kind of "guitar-like" instrument on the forefront, and 1 repetitive bell-like sound in the background.
Throughout the entire track there's an uninterrupted sound beginning at :03, that is also pretty "drony": that one sounds good when it's at the forefront (:03 to :13 and :34 to :55) but when the guitar is playing it becomes too much.
I actually think this is what you're trying to achieve with your music!
To me the loud sounds superposing with each other and turning into noise feel like the unbearable oversaturation of everything in our lives, that doesn't let you think. Like the start in this metal song:
https://www.youtube.com/watch?v=p9T5FxhIJnY
Or the rasping voice pleading for help in this other one:
https://www.youtube.com/watch?v=sXeb4PZZL7g
Ok, on that note...
...the reason I loved "Untitled1" (I wish it was here so I could fav it) is that I feel you nailed the back-forth swing of hope and despair with the dainty single instrument dinging and first and then the noise crashing just seconds in, and then fading, and then coming back. It's like my life. And the happy sounds have that ironic not-in-tune* pitch that hint that something is not quite right, and you find out just after a few seconds. Iono, I really loved that one.
Nice to meet you, thank you for faving my poem.
* were those flat notes? ♭? I'm not that good at naming things in music
I've noticed you like noisy tracks, something that gives the feeling that every channel is saturated with some sort of sound.
In this track, there's a loud droning noise that starts at :03, disappears at :13 to give way to something else that takes the soundstage, and then comes back at 0:34
In the part between :13 and :34 we have a kind of "guitar-like" instrument on the forefront, and 1 repetitive bell-like sound in the background.
Throughout the entire track there's an uninterrupted sound beginning at :03, that is also pretty "drony": that one sounds good when it's at the forefront (:03 to :13 and :34 to :55) but when the guitar is playing it becomes too much.
I actually think this is what you're trying to achieve with your music!
To me the loud sounds superposing with each other and turning into noise feel like the unbearable oversaturation of everything in our lives, that doesn't let you think. Like the start in this metal song:
https://www.youtube.com/watch?v=p9T5FxhIJnY
Or the rasping voice pleading for help in this other one:
https://www.youtube.com/watch?v=sXeb4PZZL7g
Ok, on that note...
...the reason I loved "Untitled1" (I wish it was here so I could fav it) is that I feel you nailed the back-forth swing of hope and despair with the dainty single instrument dinging and first and then the noise crashing just seconds in, and then fading, and then coming back. It's like my life. And the happy sounds have that ironic not-in-tune* pitch that hint that something is not quite right, and you find out just after a few seconds. Iono, I really loved that one.
Nice to meet you, thank you for faving my poem.
* were those flat notes? ♭? I'm not that good at naming things in music
this song superficially describes my social experience—or rather, how turbulent it is. calm, unbiased reason and clear, firm communication means naught when the other party is looking for offense
it's both maddening and overwhelming to me, and if it means anything, i'm clinically confirmed to be on the ASD spectrum
the sound is a ride cymbal overdriven and with its release removed to make it a static noise rather than a coherent sample. it represents a lot of things that i can't feasibly stuff into a comment
the guitar was originally just a soundfont of some kind but distorted and with added fuzz to fill out the high end during its section, during which the pervasive bassline just fills out the rest.
the bell (actually a ride cymbal) is simply the previous cymbal but without the effects
i do appreciate you actually taking the time to analyze what's going on in my songs, as no one else has bothered with that before
it's both maddening and overwhelming to me, and if it means anything, i'm clinically confirmed to be on the ASD spectrum
the sound is a ride cymbal overdriven and with its release removed to make it a static noise rather than a coherent sample. it represents a lot of things that i can't feasibly stuff into a comment
the guitar was originally just a soundfont of some kind but distorted and with added fuzz to fill out the high end during its section, during which the pervasive bassline just fills out the rest.
the bell (actually a ride cymbal) is simply the previous cymbal but without the effects
i do appreciate you actually taking the time to analyze what's going on in my songs, as no one else has bothered with that before
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